bricklayer spice
spends too much time alone in the woods
very excited about brussel sprouts
very suspicious of melons
possible magpie
amorphous
43%
milktree:

the fibonacci sequence engraved on grass

milktree:

the fibonacci sequence engraved on grass

(Source: ummhello, via arabellesicardi)

1st September 2014

31st August 2014

horrible-princess:

it’s interesting to me that ppl associate forced labor with communism when you will most likely literally die if you don’t work under capitalism

(via frybit)

aqqindex:

Cristina Lucas

aqqindex:

Cristina Lucas

31st August 2014
michaelkorine:

Talk to me about Kakihara’s aesthetic

michaelkorine:

Talk to me about Kakihara’s aesthetic

30th August 2014
14 plays

inneroptics:

YOKO ONO-Goodbye Sadness

(via banji-realness)

29th August 2014

wrimwramwrom:

Paris Is Burning (Jennie Livingston)

(Source: 20aliens)

28th August 2014
wgsn:

Inspired by 3D modelling software glitches, Noa Raviv has designed garments that bring the digital into a physical space.  Classic Greek and Roman sculptures are the starting point and then worked into hi-tech garments.

wgsn:

Inspired by 3D modelling software glitches, Noa Raviv has designed garments that bring the digital into a physical space.  Classic Greek and Roman sculptures are the starting point and then worked into hi-tech garments.

28th August 2014

darksilenceinsuburbia:

Maja Ruznic

From The Removal of Fingers and Other Body Parts


In this new work, I look at how the woman’s body has historically been used in war as a site to assert power through rape and a vehicle for inter-generational trauma.  Inspired by the writings of Julia Kristeva, I made paintings that explore the elements of war and violence that continue to ooze long after the violence has ended.  Kristeva defines the abject as something that provokes disgust, a human reaction to a threatened breakdown in meaning caused by the loss of the distinction between subject and object or between self and other.  Kristeva associates the abject with the eruption of the Real into our life—the Real being the materiality that shows us our own death.  Her writing creates an opening for me to look at how women who have been raped in war carry guilt and shame for the rest of their lives and continue to be degraded by their communities.  The figures in my narrative paintings are broken, defeated and dirty.  Some of the figures have missing limbs and it is difficult to differentiate between the victim and the aggressor.  I blur the line to show how in times of war, aggressors can become emotionally vacuous while before the war they were “healthy” men.  Traumatic events usually leave both individuals—the victims as well as the aggressors emotionally scarred.  Despite their embodied traumas, I have imbued these figures with a redemptive quality and given the abject within them a place to thrive.  (artist statement)

1. And She Carved Him Out Herself

2. Bath Time

3. On His Way

4. Accident

5. The Big Purge

Via

27th August 2014
The small city of Jennings, Mo., had a police department so troubled, and with so much tension between white officers and black residents, that the city council finally decided to disband it. Everyone in the Jennings police department was fired. New officers were brought in to create a credible department from scratch.

That was three years ago. One of the officers who worked in that department, and lost his job along with everyone else, was a young man named Darren Wilson.
pansoph:

VIVIENNE WESTWOOD FW 2013

pansoph:

VIVIENNE WESTWOOD FW 2013

25th August 2014



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